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The Spy Who Came In From The Cold Movie

Based on the novel by John Le Carre, The Spy Who Came in from the Cold stars Richard Burton as a dispirited, end-of-tether British secret agent. He comes in from 'the cold' (meaning he is pulled out of field operations) to act as a undercover man behind the Iron Curtain. To make his staged defection seem genuine, Burton goes on an alcoholic toot and is imprisoned and publicly humiliated. Once he has been accepted into East German espionage circles, Burton discovers that what he thought was his mission was a mere subterfuge--and that he's been set up as a pawn for an entirely different operation. Though Ireland and England 'stand in' for East Berlin, Spy Who Came In From the Cold has the air of authenticity throughout, thanks in great part to the bleak black and white photography by Oswald Morris. The film was condemned as incomprehensible by those filmgoers accustomed to the simplistic melodramatics of James Bond; seen today, the double-crosses and double-double crosses seem all too clear and credible.

½ Directed by Martin Ritt,'the Spy Who Came In From The Cold' is an adaption of John Le Carre's best selling novel about a reluctant British double agent,offers effectively restrained performance by Richard Burton in the title role;Claire Bloom,as an idealistic British communist who becomes the spy's lover during his undercover operation;and Oskar Werner as an East German interrogator. The drab cold war atmosphere is deftly evoked by Oswald Morris's elemental black-and-white photography and the cramped sets designed by Tambi Larsen and Hal Pereira. But Martin Ritt's film means less without its popular foil. Released in 1965,as the same year 'The Ipcress File',and the 007 thriller 'Thunderball',the fourth of the phenomenally successful James Bond films starring Sean Connery,'the Spy Who Came In The Cold' consistently positions itself as a rebuke to the glamourous,action movie ethos of the Bond films:no fancy gadgets or bikini-clad beauties here,only a pinched and dingy universe in which the moral compass spins without direction.

If Ritt has a limtation as a director,it is his tendency to use drama to demonstrate,to turn his characters into masterpieces for the moral and political values he wants to compare and contrast. For a film about ambiguity-do the actions of Burton's character make him a hero or a dupe or a man who just froze up during his mission. Autocad 3d Blocks-doors And Windows. Hot Fuss The Killers Album Torrent.

Of one of the most interesting films of the mid-1960's,'The Man Who Came In From The Cold' ultimately seems pat and predictable but well done.

Trivia After Paramount Pictures acquired the film rights, 's father Ronnie, a con artist with several jail sentences to his credit, appeared in West Germany claiming to be his son's 'professional adviser.' Without Paramount or his son's knowledge, 'he graciously accepted a V.I.P. Tour of West Berlin's largest film studio, and a great deal of the studio's hospitality, and no doubt a starlet or two, and listened to a lot of earnest talk about tax breaks and subsidies available to foreign filmmakers, all in the noble cause of finding the best place to make the movie,' as John wrote later.

Goofs In his defense speech of Mundt, the East German defense attorney (played by George Voskovec) states 'Smiley was indeed Leamas's friend. He was also a planner in the section called Satellites Four, which operates behind the Iron Curtain.' The term 'Iron Curtain' would not have been used by officials of East Germany or other Soviet bloc countries to refer to the east-west divide. Originally created by Winston Churchill, the phrase 'behind the Iron Curtain' became a disparaging characterization of the east bloc countries and their socialist systems.

It was seen as serving to keep people in and information out, and people mostly throughout the West used the metaphor in that context. Quotes: It was a foul, foul operation, but it paid off.: Who for?: What the hell do you think spies are? Moral philosophers measuring everything they do against the word of God or Karl Marx? They're just a bunch of seedy, squalid bastards like me: little men, drunkards, queers, henpecked husbands, civil servants playing cowboys and Indians to brighten their rotten little lives. Do you think they sit like monks in a cell, balancing right against wrong? Yesterday I would have killed Mundt.

It seems to me as though no one remembers this film. In fact, I think that it would be fair to say that I wouldn't have become intrigued enough by it to finally rent if I hadn't seen just the briefest of clips of it on an ABC news broadcast. When I think about it, I realize why should anyone remember it? This was made during the Golden Age of Bond, which this film acts as a dark mirror to. Best Cdrwin 3.6 B - Full Version 2017. More's the pity, actually, as this was one of Richard Burton's finest performances. Burton is cast as Alex Leamas, a nerve-dead, aged secret operative operating out of West Berlin.

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